Ai Weiwei: Never Sorry has been
screening all over the world and is
due for a summer release.
I've been working with Alison on all
documentary collateral for the event:
movie posters, stickers, buttons etc.
Find out more here: facebook.com/awwneversorry
I conceptualized some new filler ads promoting GQ's digital/tablet/social extensions, as well as the new gq.com/promotions tab on gq.com.
The type-driven page above has the used/vintage look as a result of acetate.
It was really fun to create!
The publisher wanted a vintage-looking card of a man on the slopes in a tux. I was inspired by old ski posters to make this illustration. The color palette really made the card pop.
GQ loves paper! We're often printing letterpress or offset invitations for
events.
These are just a few examples of custom hybrids that have run in print reformatted for the iPad. We are also designing units for the 7" Kindle Fire.
Part of my job at GQ is to come up with concepts for advertisers to buy into the magazine. We design pages that vary from basic laydown shots to big custom muti-page sections that require a bigger photoshoot with models and celebrities.
GQ Design Group (GQDG) prides itself
on delivering high quality original photography and 360 degree programs that often include event, digital, and social extensions. These are just a few examples of sections that have been
done for advertisers. My team is involved from the brainstorm all the way to the production.
Launch gqdesigngroup.com
After developing the identity for this
pop-up shop, the logo was used on the
t-shirts, invitations, screens, decals,
tote bags etc.
These are some examples of e-blasts
that I've worked on for GQ. We do
a lot of blasts for advertisers, retail events, sweepstakes, and in-house events.
Often, my designers work on these
blasts and I'll direct them on the
hierarchy of information, rewording
the copy, use of imagery etc. We usually have some limitations too since the blasts have to get coded, and that
means only being able to use certain
web safe fonts. If the e-vite is just for internal use, we are able to be more creative with type.
I've been designing and working directly with Design Director of Peter Som to produce Peter Som's Lookbooks since Spring 2010.
I also upload the new looks to Peter Som's Website.
I designed the skin for sundancechannel homepage, which promotes the All On
The Line show. I also worked on the rollover promo tiles.
For the Design Awards Party in Miami, I designed coasters, napkins, brochures, banners, decals, menus and tent cards.
Art Director: Jill Sabato
Because of ad placement issues for digital magazines on the iPad, we
decided to create an Advertiser TOC that would be placed at the beginning of the issue so that consumers could tap the
ad thumbnail and jump directly to the ad. This way all advertisers are given priority. I conceptualized and designed this page taking visual cues from Edit.
Under my Art Director's guidance, this is the second Advertiser TOC that has been created for the T+L issues. Download
the T+L Family App here.
Because of ad placement issues for digital magazines on the iPad, we
decided to create an Advertiser TOC that would be placed at the beginning of the issue so that consumers could tap the
ad thumbnail and jump directly to the ad. This way all advertisers are given priority. I conceptualized and designed this page taking visual cues from Edit.
I've been in charge of iPad-related things in our department (ie. designing ads, adding functionality to pages, creating decks for the iPad), while always being directed by my Art Director. Download the T+L App here.
Using the ad that ran in our magazine as a base, I created this interactive ad for the iPad. The features include an in-app browser, a slideshow and a video.
I've been in charge of iPad-related things in our department (ie. designing ads, adding functionality to pages, creating decks for the iPad), while always being directed by my Art Director. Download the T+L App here.
I was given the opportunity to fully manage the holiday card for 2011, from conceptualizing to printing. I had the cards printed on uncoated stock and
after many color palette choices, decided on some great metallic colors.
Front: "Extraordinary People have Extraordinary Wish lists." On the inside, there is a post it note that has post it adhesive on the back that can be used and reused many times. This is meant to be filled in by whoever receives this card. My co-worker, Philip Schumacher, did the handwriting.
To drive Psych fans to watch a special episode featuring William Shatner, USA Network asked me to put together a few facebook graphics that people could use for their profiles.
You were encouraged to change your profile picture to one of the graphics provided.
USA Network invites you to spend your summer with television's most original characters. This month, USA proudly presents six original series—four returning favorites and two new series.
It will be a summer of surprises and
non-stop action, old friends and fresh faces. Only on USA, where Original
series are all new, all summer long.
After agreeing on Summer Blue 285C, I worked directly with Events / Marketing / SVP of Network and created a "look" for our summer screenings. I designed all collateral, from the program trifolds to
the menus.
In order to promote the NY container screenings for the Character Project
short films, I designed the cover wrap
for Friday's AM New York issue. This included the times/locations of the screenings and brief intro to CP, as
well as the movie posters and short descriptions of each short.
USA partnered with RSA Films and Ridley
& Tony Scott to once again turn a lens on America's characters, this time through
the medium of the moving image. There were two VIP Screenings of the Character Project short films, in LA and NY, and I
did all the print/some digital collateral for the event.
Now, the Character Project short films are available to consumers through a multi-day touring exhibition beginning in New York City on Friday, May 13th and visiting Los Angeles, San Francisco and Chicago. Audiences in these cities will be invited to visit customized screening capsules as unique as the films that inspired them.
I wanted to design a very simple and
type-driven card for the holiday season. The blind deboss turned out really good.
Printer: Soho Letterpress